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Gabrielle David

PUBLISHER, EDITOR, AUTHOR, DESIGNER, SPEAKER

I’m a publisher, poet, storyteller, geek goddess, editor, author, designer, teacher, and mentor. My goal is to inspire others to create positive change through literature.

WARNING:  This material involves exploring life experiences and professional growth that require critical thinking. Proceed at your own peril.

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Whether printed on paper or displayed on a screen, books possess influence that goes well beyond simple amusement. They act as essential educational resources and portals to knowledge that encourage development and advancement. Additionally, they can improve creative and critical thinking abilities, skills that are valuable throughout a person’s life. Throughout my life, I have consistently been involved with newspapers, journals and books—whether reading, writing, editing, or publishing them. These literary projects are a reflection of my life’s odyssey.

ABOUT ME

A Personal Odyssey of Growth

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Gabrielle at the Bowery Poetry Club, 2011.

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Gabrielle at Essence Magazine. Photo by Bert Andrews, 1978.

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Gabrielle’s baby photo, around 2 years old.

I grew up in Corona-East Elmhurst, Queens, New York. I was a Girl Scout and a member of the NAACP Youth Group. I attended Intellectually Gifted Classes (IGC) in elementary school and went to day camp and sleepaway camp up until I was sixteen years old, spent a couple of summers as a camp counselor, and briefly served as a Girl Scout Troop Leader. I discovered a love for poetry in fourth grade, started writing my poems and stories in a black and white composition book my mother gave me, and launched a class newspaper using the rexograph machine. I began playing the song flute in second grade and started private piano lessons by third grade. I attended the music program at Andrew Jackson High School in Cambria Heights, where I learned to play the alto clarinet, flute, and guitar. While there, I was briefly a member of the swimming, volleyball, and basketball teams, and created a school newsmagazine called The Liberator, produced using the mimeograph machine. I also studied ballet, modern, African, and jazz dance, and by my teenage years, I had joined a local dance company at BCL in Corona. I became interested in politics early on when a family member won a seat as district leader in my neighborhood. I helped with her campaigns for the NY Assembly, and she went on to serve on the NYC Council and as Queens Borough President. When I was sixteen, I was hired as the youngest page at CBS, assigned to work on several shows at the Ed Sullivan Theater and CBS Broadcast Center, where I met Captain Kangaroo and Walter Cronkite, who were the network’s two biggest stars at the time. I played keyboard in local bands and later managed a few of them. I was among the first students accepted into NYC’s high school internship program and worked at Essence magazine for five months, gaining experience in publicity, and later did PR work for local NYC bands.

During my time at LaGuardia Community College (CUNY), where I studied literature and journalism, I also enrolled in photography courses and wrote for the campus newspaper. Additionally, I performed piano in a concert featuring the compositions of the acclaimed composer Carman Moore, who led the orchestra for this special event. I established Hotshots Unlimited Photography, specializing in portrait, fashion, and event photography, working for clients like  Showtime at the Apollo Theater and WBLS FM. I held a successful photography exhibition at the Langston Hughes Community Library & Cultural Center in Corona, and was later hired to produce literary programming there. I bought my first computer in 1988, freelanced as a Word Processing specialist at Fortune 500 law and financial firms, and was introduced to desktop publishing by an award-winning art director at ITT, which led me to freelance as a designer. He also helped me develop the design and layout for phati’tude Literary Magazine using a revolutionary publishing software, Aldus PageMaker (which later became Adobe InDesign). I attended The New School pursuing a Master’s degree in Media Communications. Still, I ended up shifting my focus to create phatLiterature, A Literary TV Program at the Langston Hughes Library. Since that time, my main focus has been on writing and publishing, leading me to establish 2Leaf Press in 2012.

After taking a short break to handle some personal matters, I have been collaborating closely with board members to transform 2Leaf Press Inc. (2LP Inc.) into a top-tier, nonprofit publishing and multimedia organization that is independently operated and led by Black and Brown women. Our goal is to widen our reach by expanding our publishing efforts to include podcasts, films, videos, apps, and audiobooks that will captivate and engage our audience. I am also working on completing the TRAILBLAZERS book series and hope to see it adapted into a docuseries by 2026. Lastly, I am excited about discovering new books that will surprise and inspire us all. 

You can learn more about my origin story at 2Leaf Press Inc. and phati’tude Literary Magazine.  Cheers.

2Leaf Press

2Leaf Press

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I have a deep passion for publishing. My journey began in fourth grade, creating class newspapers with mimeograph and rexograph sheets. Later, as a high school intern at Essence magazine, I learned traditional publishing methods, and eventually I mastered desktop publishing software and later, print-on-demand and ebooks. I love publishing because it allows me to combine my interests in literature, design, and technology by discovering and supporting new voices and collaborating with creative people who enrich our cultural scene. 2Leaf Press embodies a lifetime of my artistic, cultural, and sociopolitical experiences. Over the years, while the work has been both mentally and financially demanding, the fulfillment of guiding a book from start to finish and connecting authors with readers in meaningful ways has been incredibly rewarding.

DISCOVER MY BOOKS

Deciding What to Read Next?

TRY THESE THREE BOOKS THAT I EDITED AND CO-EDITED

I believe the greatest challenge I faced when editing others’ work was avoiding altering the original author’s unique voice. Novice editors often rewrite content in their own style instead of maintaining the author’s distinct tone. The main benefit writers have gained from my editing is that I prioritize the content and storyline over flawless grammar initially. Once I have reviewed their work, I then concentrate on grammar and consistent phrasing, all while keeping the author’s voice in mind. Although I personally edit about 90% of the books at 2Leaf Press, I have only taken credit for three titles: Hey Yo! Yo Soy!, Branches of The Tree of Life, and What Does It Mean To Be White in America? Going forward, I intend to take part in additional editing projects.

ABOUT TRAILBLAZERS

The more you read, the more you'll know

Writing the TRAILBLAZERS series unlocked my ability to craft ideas and stories, transforming me into a historical storyteller. Through extensive research, I aimed to share the stories of these Black women in a way that resonates with everyday Black women, never intending to rival the work of prominent Black female scholars. While the series is suitable for classroom use, presenting these women’s lives through a storyteller’s lens is important. My goal was to develop a book series that promotes human connection by delivering information with emotional depth, fosters empathy and understanding among diverse groups, and offers validation and a sense of shared experience to Black women around the world.

Find out more at the TRAILBLAZERS website.

Get notified by joining my mailing list today.

MY DESIGNS

Building Credibility with Great Design

Book design plays a crucial role as it draws in readers, conveys the book’s genre and mood, improves the reading experience, establishes credibility, and ultimately impacts sales. Small presses often have limited resources, and 2Leaf Press is no exception. I have handled nearly all the book layout design and created most of the covers, except for about a dozen artists who produced exceptional covers for 2Leaf Press. Unlike other publishers, I strive to involve the author in certain aspects of the design process because I believe the book’s visual elements should reflect their voice. While some covers come together easily, most present challenges. Although my direct participation has been financially required, I must confess that I truly enjoy creating them. Here are my favorites:

PHATI'TUDE LITERARY MAGAZINE

Challenging the Literary Canon

In 1996, when I realized that multicultural writers were either intentionally excluded or overlooked, I launched phati’tude Literary Magazine, a quarterly publication. It broke the norms of literary journals at the time by highlighting the voices of a more diverse group of artists. The magazine’s name, combining the slang term “phat” meaning “emphatic” and “tude” as a shorthand for “attitude,” embodied its goal to promote a bold and confident approach to modern literature. phati’tude was published from 1997 to 2012, producing ten themed issues that featured over several 100 poets, writers, and artists, including some of the most distinguished poets of that period. Although the magazine is currently available for purchase on AMAZON, 2Leaf Press Inc. plans to expand phati’tude’s reach and celebrate many of its remarkable contributors. You can learn more about phati’tude’s founding story and my role in it on its website.

CONTACT ME

Feel free to reach out to me with any inquiries.

United States

PO Box 4378 | Grand Central Station | New York, NY 10163-4378

info [AT] gabrielledavid [DOT] com

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